如墨西哥裔美国人自称“奇卡诺”（Chicano），他们成立自己组织和协会，一方面为争取经济权利而奔走，要求提高墨裔农业工人的工资和待遇，另一方面主张双语教育，开设相关课...
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这种社区参与是整个奇卡诺艺术运动的特征，它与60年代中期的奇卡诺民权运动有着相同的发展基础。
Such community engagement is characteristic of the Chicano art movement as a whole, which evolved from the same foundations as the Chicano civil rights movement of the mid-1960s.
这两件事都是对美国奇卡诺人的需求的直接回应，他们正在为获得充分的教育、政治权力和体面的工作条件的权利而斗争。
Both were a direct response to the needs of Chicanos in the United States, who were fighting for the right to sufficient education, political empowerment, and decent working conditions.
第三章探讨了神话在奇卡诺身份的重构中所发挥的作用。
The third chapter discusses the function of mythology in cultural reconstruction of Chicano identity.
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